Review Metaphors
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| Ch | Quote | Explanation | Topic | Conf | |
|---|---|---|---|---|---|
| 3 | "men and girls came and went like moths among the whisperings and the champagne and the stars" | Simile comparing party guests to moths, suggesting their ephemeral, attracted-to-light quality, flut... | Light/Darkness | 95% | |
| 3 | "his two motorboats slit the waters of the Sound" | Violent verb 'slit' personifies boats as cutting/wounding the water, suggesting aggression against n... | Nature Perverted | 90% | |
| 3 | "drawing aquaplanes over cataracts of foam" | Metaphor transforming boat wake into 'cataracts' - both waterfalls and eye disease, suggesting blind... | Water/Drowning | 85% | |
| 3 | "his station wagon scampered like a brisk yellow bug" | Simile animating the vehicle as an insect, suggesting mechanical life replacing natural life | Nature Perverted | 90% | |
| 3 | "repairing the ravages of the night before" | Metaphor of party aftermath as 'ravages' - destruction requiring repair, suggesting warfare or pilla... | Time | 85% | |
| 3 | "a pyramid of pulpless halves" | Visual metaphor of discarded orange rinds as ancient monument, suggesting both grandeur and waste | Money as Substance | 80% | |
| 3 | "enough coloured lights to make a Christmas tree of Gatsby's enormous garden" | Metaphor transforming natural space into artificial holiday decoration | Nature Perverted | 85% | |
| 3 | "turkeys bewitched to a dark gold" | Metaphor of cooking as enchantment, suggesting magical transformation through wealth | Money as Substance | 90% | |
| 3 | "a whole pitful of oboes and trombones" | Metaphor of orchestra as excavation pit, suggesting depth and perhaps hellish associations | Light/Darkness | 75% | |
| 3 | "floating rounds of cocktails permeate the garden outside, until the air is alive" | Metaphor of drinks as airborne presence, air becoming 'alive' with alcohol | Nature Perverted | 90% | |
| 3 | "The lights grow brighter as the earth lurches away from the sun" | Personification of earth 'lurching' like a drunk person, while artificial lights replace natural lig... | Light/Darkness | 95% | |
| 3 | "the opera of voices pitches a key higher" | Metaphor of conversation as opera, suggesting performative, heightened unreality | Money as Substance | 85% | |
| 3 | "Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word" | Metaphor of laughter as liquid being carelessly poured out, suggesting waste and excess | Money as Substance | 90% | |
| 3 | "confident girls who weave here and there among the stouter and more stable" | Metaphor of movement as weaving, suggesting both textile creation and instability | Time | 80% | |
| 3 | "glide on through the sea-change of faces and voices and colour" | Shakespearean allusion ('sea-change' from The Tempest) suggesting magical transformation through wat... | Water/Drowning | 95% | |
| 3 | "one of these gypsies, in trembling opal" | Metaphor of party guest as nomadic outsider, dressed in gem-like quality suggesting both beauty and ... | Money as Substance | 85% | |
| 3 | "seizes a cocktail out of the air" | Hyperbolic metaphor suggesting drinks materialize from nothing, magical abundance | Money as Substance | 80% | |
| 3 | "they conducted themselves according to the rules of behaviour associated with an amusement park" | Extended metaphor comparing Gatsby's mansion to a public amusement park | Money as Substance | 90% | |
| 3 | "swirls and eddies of people" | Water metaphor for crowd movement, suggesting dangerous currents | Water/Drowning | 90% | |
| 3 | "all looking a little hungry" | Metaphorical hunger suggesting spiritual/financial appetite rather than physical | Money as Substance | 85% | |
| 3 | "agonizingly aware of the easy money in the vicinity" | Personification of money as having location and presence, causing agony | Money as Substance | 90% | |
| 3 | "I slunk off in the direction of the cocktail table" | Animalistic verb 'slunk' suggests Nick becoming creature-like in his embarrassment | Nature Perverted | 75% | |
| 3 | "the premature moon, produced like the supper, no doubt, out of a caterer's basket" | Metaphor suggesting even celestial bodies are artificial, catered like party food | Nature Perverted | 95% | |
| 3 | "A tray of cocktails floated at us through the twilight" | Metaphor of drinks floating autonomously, as if enchanted | Money as Substance | 85% | |
| 3 | "romantic speculation he inspired" | Metaphor of Gatsby as investment opportunity, 'speculation' having financial connotations | Money as Substance | 80% | |
| 3 | "this party had preserved a dignified homogeneity" | Metaphor of 'preserving' suggesting pickling or embalming of social class | Time | 85% | |
| 3 | "East Egg condescending to West Egg and carefully on guard against its spectroscopic gaiety" | Scientific metaphor of 'spectroscopic' suggesting analytical breakdown of light/joy into components | Light/Darkness | 90% | |
| 3 | "transported complete from some ruin overseas" | Metaphor of American wealth built on European ruins | Time | 85% | |
| 3 | "enormous owl-eyed spectacles" | Metaphor linking man to owl - symbol of wisdom but also of night-blindness in daylight | Vision/Surveillance | 90% | |
| 3 | "if one brick was removed the whole library was liable to collapse" | Metaphor of facade as precarious construction | Money as Substance | 85% | |
| 3 | "old men pushing young girls backward in eternal graceless circles" | Metaphor of dance as temporal regression and eternal repetition | Time | 90% | |
| 3 | "happy, vacuous bursts of laughter rose toward the summer sky" | Metaphor of laughter as empty bubbles rising and bursting | Nature Perverted | 85% | |
| 3 | "floating in the Sound was a triangle of silver scales, trembling a little to the stiff, tinny drip of the banjoes" | Complex metaphor of moonlight on water as musical scales/fish scales/scales of justice, trembling to... | Water/Drowning | 95% | |
| 3 | "the scene had changed before my eyes into something significant, elemental, and profound" | Metaphor of alcohol as alchemical transformer | Vision/Surveillance | 80% | |
| 3 | "one of those rare smiles with a quality of eternal reassurance in it" | Metaphor of smile as containing eternal quality, transcending time | Time | 90% | |
| 3 | "It faced—or seemed to face—the whole eternal world for an instant, and then concentrated on you with an irresistible pre..." | Extended metaphor of smile as conscious entity that sees all then chooses you | Vision/Surveillance | 95% | |
| 3 | "It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself" | Metaphor of smile as mirror reflecting idealized self | Vision/Surveillance | 95% | |
| 3 | "I was looking at an elegant young roughneck" | Oxymoronic metaphor combining refinement and coarseness | Money as Substance | 85% | |
| 3 | "A dim background started to take shape behind him, but at her next remark it faded away" | Visual metaphor of identity forming and dissolving like a photograph developing in reverse | Vision/Surveillance | 85% | |
| 3 | "Gatsby sprang from the swamps of Louisiana or from the lower East Side of New York" | Metaphor of human origin as 'springing' from swamps - primordial emergence | Nature Perverted | 80% | |
| 3 | "drift coolly out of nowhere and buy a palace on Long Island Sound" | Metaphor of movement as drifting, suggesting aimlessness despite purposeful acquisition | Water/Drowning | 85% | |
| 3 | "At small parties there isn't any privacy" | Paradoxical metaphor inverting expected relationship between size and intimacy | Vision/Surveillance | 80% | |
| 3 | "above the echolalia of the garden" | Medical metaphor comparing party chatter to pathological repetition of speech | Nature Perverted | 90% | |
| 3 | "he grew more correct as the fraternal hilarity increased" | Metaphor of 'growing' suggesting organic development of propriety | Nature Perverted | 80% | |
| 3 | "girls were swooning backward playfully into men's arms, even into groups, knowing that someone would arrest their falls" | Metaphor of falling as arrested by social safety net | Money as Substance | 85% | |
| 3 | "no singing quartets were formed with Gatsby's head for one link" | Metaphor of human connection as chain links | Vision/Surveillance | 85% | |
| 3 | "she wore her evening-dress, all her dresses, like sports clothes" | Metaphor of formal wear transformed into athletic gear | Money as Substance | 80% | |
| 3 | "The tears coursed down her cheeks—not freely, however, for when they came into contact with her heavily beaded eyelashes..." | Extended metaphor of tears as rivers corrupted by makeup into ink | Water/Drowning | 95% | |
| 3 | "she appeared suddenly at his side like an angry diamond" | Simile comparing woman to jewel - hard, brilliant, cutting | Money as Substance | 90% | |
| 3 | "both wives were lifted, kicking, into the night" | Metaphor of night as destination/receptacle for discarded people | Light/Darkness | 80% | |
| 3 | "the eagerness in his manner tightened abruptly into formality" | Metaphor of emotion as physical substance that can tighten/contract | Money as Substance | 85% | |
| 3 | "her brown hand waved a jaunty salute as she melted into her party" | Metaphor of person melting into group, losing individual form | Water/Drowning | 85% | |
| 3 | "The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder" | Paradoxical metaphor of familiar unfamiliarity | Vision/Surveillance | 85% | |
| 3 | "there seemed to be a pleasant significance in having been among the last to go, as if he had desired it all the time" | Metaphor of social timing as meaningful communication | Time | 80% | |
| 3 | "violently shorn of one wheel" | Violent metaphor of mechanical dismemberment | Nature Perverted | 85% | |
| 3 | "a harsh, discordant din from those in the rear" | Metaphor of traffic sounds as musical discord | Nature Perverted | 80% | |
| 3 | "washing his hands of the whole matter" | Biblical allusion to Pontius Pilate, metaphor of abdicated responsibility | Vision/Surveillance | 90% | |
| 3 | "The crowd—it was now a crowd—stepped back involuntarily" | Metaphor of transformation from individuals to crowd entity | Vision/Surveillance | 80% | |
| 3 | "a pale, dangling individual stepped out of the wreck, pawing tentatively at the ground with a large uncertain dancing sh..." | Metaphor combining human with marionette and animal imagery | Nature Perverted | 85% | |
| 3 | "Blinded by the glare of the headlights and confused by the incessant groaning of the horns, the apparition stood swaying" | Metaphor of drunk as ghost/apparition, overwhelmed by mechanical sensory assault | Light/Darkness | 85% | |
| 3 | "looked upward as though he suspected that it had dropped from the sky" | Metaphor suggesting magical thinking about mechanical failure | Vision/Surveillance | 75% | |
| 3 | "The caterwauling horns had reached a crescendo" | Metaphor of car horns as cats wailing - mechanical noise becomes animal cry | Nature Perverted | 85% | |
| 3 | "A wafer of a moon was shining over Gatsby's house" | Metaphor of moon as communion wafer - thin, holy, fragile | Light/Darkness | 85% | |
| 3 | "A sudden emptiness seemed to flow now from the windows and the great doors" | Paradoxical metaphor of emptiness flowing like substance | Water/Drowning | 90% | |
| 3 | "endowing with complete isolation the figure of the host" | Metaphor of isolation as gift/endowment | Money as Substance | 85% | |
| 3 | "the sun threw my shadow westward as I hurried down the white chasms of lower New York" | Metaphor of city streets as geological chasms | Nature Perverted | 90% | |
| 3 | "I let it blow quietly away" | Metaphor of relationship as something wind-dispersed | Nature Perverted | 80% | |
| 3 | "the constant flicker of men and women and machines gives to the restless eye" | Metaphor of city life as cinematic flicker, humans and machines equated | Vision/Surveillance | 85% | |
| 3 | "they turned and smiled back at me before they faded through a door into warm darkness" | Metaphor of people fading like ghosts into inviting darkness | Light/Darkness | 85% | |
| 3 | "At the enchanted metropolitan twilight I felt a haunting loneliness" | Metaphor of twilight as magical but ghostly time | Light/Darkness | 90% | |
| 3 | "wasting the most poignant moments of night and life" | Metaphor of time as substance that can be wasted | Time | 85% | |
| 3 | "when the dark lanes of the Forties were lined five deep with throbbing taxicabs" | Metaphor of taxis as pulsing with life/desire | Nature Perverted | 85% | |
| 3 | "Forms leaned together in the taxis as they waited" | Metaphor reducing humans to abstract 'forms' | Vision/Surveillance | 80% | |
| 3 | "lighted cigarettes made unintelligible circles inside" | Metaphor of cigarette tips as writing meaningless symbols | Light/Darkness | 80% | |
| 3 | "The bored haughty face that she turned to the world concealed something" | Metaphor of face as mask/facade hiding truth | Vision/Surveillance | 85% | |
| 3 | "she felt safer on a plane where any divergence from a code would be thought impossible" | Spatial metaphor of morality as geometric plane | Vision/Surveillance | 85% | |
| 3 | "in order to keep that cool, insolent smile turned to the world" | Metaphor of smile as weapon/shield turned outward | Vision/Surveillance | 85% | |
| 3 | "satisfy the demands of her hard, jaunty body" | Metaphor of body as demanding entity separate from self | Money as Substance | 80% | |
| 3 | "I am slow-thinking and full of interior rules that act as brakes on my desires" | Mechanical metaphor of conscience as braking system | Nature Perverted | 85% | |
| 4 | "the world and its mistress returned to Gatsby's house and twinkled hilariously on his lawn" | Personification of 'the world' having a mistress, and the metaphor of people 'twinkling' like stars ... | Light/Darkness | 95% | |
| 4 | "moving somewhere between his cocktails and his flowers" | Metaphor positioning people as existing in a liminal space between intoxication and beauty | Nature Perverted | 85% | |
| 4 | "second cousin to the devil" | Metaphorical kinship with evil | Identity/Mythology | 90% | |
| 4 | "It is an old timetable now, disintegrating at its folds" | The physical decay of the timetable metaphorically represents the decay of memory and the past | Time | 95% | |
| 4 | "paid him the subtle tribute of knowing nothing whatever about him" | Ignorance as tribute is a paradoxical metaphor | Vision/Surveillance | 90% | |
| 4 | "flipped up their noses like goats at whosoever came near" | Simile comparing snobbish guests to goats | Class/Society | 95% | |
| 4 | "whose hair, they say, turned cotton-white one winter afternoon for no good reason at all" | Hair turning white as metaphor for sudden shock or revelation | Transformation/Identity | 85% | |
| 4 | "melodious names of flowers and months or the sterner ones of the great American capitalists" | Names as metaphors for social position - soft/natural vs hard/industrial | Money as Substance | 90% | |
| 4 | "Gatsby's gorgeous car lurched up the rocky drive to my door and gave out a burst of melody from its three-noted horn" | Car personified as singing, 'lurching' like a living creature | Material/Spiritual | 90% | |
| 4 | "swollen here and there in its monstrous length" | Car described with bodily metaphors - 'swollen' and 'monstrous' | Corruption/Decay | 95% | |
| 4 | "terraced with a labyrinth of windshields that mirrored a dozen suns" | Windshields as labyrinth (confusion/entrapment) and mirrors multiplying suns | Light/Darkness | 95% | |
| 4 | "Sitting down behind many layers of glass in a sort of green leather conservatory" | Car interior as conservatory - a greenhouse metaphor | Nature Perverted | 90% | |
| 4 | "His right hand suddenly ordered divine retribution to stand by" | Hand gesture personified as commanding God's justice | Performance/Reality | 95% | |
| 4 | "his whole statement fell to pieces" | Words as physical structure that can collapse | Construction/Destruction | 90% | |
| 4 | "the memory of that sudden extinction of a clan still haunted him" | Family death as 'extinction' (like species) and memory as haunting ghost | Time | 85% | |
| 4 | "I lived like a young rajah in all the capitals of Europe" | Simile comparing himself to Eastern royalty | Identity/Mythology | 90% | |
| 4 | "The very phrases were worn so threadbare that they evoked no image except that of a turbaned 'character' leaking sawdust..." | Extended metaphor of words as worn fabric and Gatsby as a stuffed toy leaking its filling | Performance/Reality | 95% | |
| 4 | "I seemed to bear an enchanted life" | Life as magical/fairy tale existence | Identity/Mythology | 85% | |
| 4 | "My incredulity was submerged in fascination now; it was like skimming hastily through a dozen magazines" | Mental state as drowning/submersion and experience as rapid magazine reading | Water/Drowning | 90% | |
| 4 | "Montenegro's warm little heart" | Country personified with a heart, described diminutively | Performance/Reality | 85% | |
| 4 | "I saw the skins of tigers flaming in his palace on the Grand Canal" | Tiger skins 'flaming' - dead animals burning with life/color | Light/Darkness | 90% | |
| 4 | "opening a chest of rubies to ease, with their crimson-lighted depths, the gnawings of his broken heart" | Rubies as medicine for heartbreak, heart as gnawing animal | Money as Substance | 95% | |
| 4 | "I drift here and there trying to forget the sad things that happened to me" | Life as aimless floating/drifting on water | Water/Drowning | 85% | |
| 4 | "the valley of ashes opened out on both sides of us" | Valley personified as opening itself | Nature Perverted | 90% | |
| 4 | "Mrs. Wilson straining at the garage pump with panting vitality" | Vitality as breathless, strained effort | Class/Society | 85% | |
| 4 | "With fenders spread like wings we scattered light through half Astoria" | Car as bird with wings, dispersing light like seeds | Light/Darkness | 95% | |
| 4 | "the city rising up across the river in white heaps and sugar lumps all built with a wish out of nonolfactory money" | City as confection made of sugar, built from wishes and 'nonolfactory' money | Money as Substance | 95% | |
| 4 | "The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all th..." | City as eternal virgin experience, containing all world's mystery and beauty | Vision/Surveillance | 90% | |
| 4 | "A dead man passed us in a hearse heaped with blooms" | Death decorated with life (blooms) | Nature Perverted | 85% | |
| 4 | "the tragic eyes and short upper lips of southeastern Europe" | Ethnic features as inherently tragic | Identity/Mythology | 80% | |
| 4 | "as the yolks of their eyeballs rolled toward us in haughty rivalry" | Eyes as eggs with yolks, suggesting both fragility and nourishment | Vision/Surveillance | 85% | |
| 4 | "Anything can happen now that we've slid over this bridge" | Bridge crossing as sliding into new reality | Transformation/Identity | 90% | |
| 4 | "Roaring noon" | Time of day personified as making sound | Time | 85% | |
| 4 | "Blinking away the brightness of the street outside" | Light as something that clings and must be blinked away | Light/Darkness | 80% | |
| 4 | "two fine growths of hair which luxuriated in either nostril" | Nostril hair as luxuriant growth, like plants | Nature Perverted | 85% | |
| 4 | "covered Gatsby with his expressive nose" | Nose as covering/protecting, synecdoche for attention | Identity/Mythology | 85% | |
| 4 | "lapsed into a somnambulatory abstraction" | Consciousness as sleepwalking | Performance/Reality | 80% | |
| 4 | "presbyterian nymphs on the ceiling" | Religious figures as pagan spirits | Corruption/Decay | 85% | |
| 4 | "Filled with faces dead and gone. Filled with friends gone now forever" | Restaurant as container for ghosts | Time | 90% | |
| 4 | "Mr. Wolfshiem's nose flashed at me indignantly" | Nose as expressing emotion through light | Light/Darkness | 85% | |
| 4 | "forgetting the more sentimental atmosphere of the old Metropole, began to eat with ferocious delicacy" | Eating style as oxymoron - fierce yet delicate | Performance/Reality | 85% | |
| 4 | "His eyes, meanwhile, roved very slowly all around the room" | Eyes as independent agents roving/wandering | Vision/Surveillance | 85% | |
| 4 | "Finest specimens of human molars" | Human teeth as scientific specimens | Corruption/Decay | 90% | |
| 4 | "his tragic nose was trembling" | Nose as tragic hero, trembling with emotion | Performance/Reality | 85% | |
| 4 | "a denizen of Broadway" | Person as creature inhabiting a specific environment | Identity/Mythology | 80% | |
| 4 | "start to play with the faith of fifty million people—with the single-mindedness of a burglar blowing a safe" | Corrupting baseball as safe-cracking, faith as object to be stolen | Corruption/Decay | 95% | |
| 4 | "red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving ..." | Flags personified as disapproving voices | Performance/Reality | 90% | |
| 4 | "in a way that every young girl wants to be looked at sometime" | Male gaze as universal female desire | Vision/Surveillance | 85% | |
| 4 | "as lovely as the June night in her flowered dress—and as drunk as a monkey" | Similes comparing Daisy to nature (June night) and animal (monkey) | Nature Perverted | 90% | |
| 4 | "She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she s..." | Letter disintegrating like snow melting | Water/Drowning | 90% | |
| 4 | "rubbing her fingers over his eyes and looking at him with unfathomable delight" | Touch affecting vision, delight as oceanic depth | Vision/Surveillance | 85% | |
| 4 | "It's a great advantage not to drink among hard-drinking people. You can hold your tongue and, moreover, you can time any..." | Sobriety as strategic advantage, drunkenness as blindness | Vision/Surveillance | 90% | |
| 4 | "there's something in that voice of hers" | Voice containing unnamed essence | Money as Substance | 85% | |
| 4 | "The sun had gone down behind the tall apartments of the movie stars in the West Fifties" | Celebrity homes blocking/consuming the sun | Light/Darkness | 85% | |
| 4 | "the clear voices of children, already gathered like crickets on the grass" | Children's voices as insect sounds | Nature Perverted | 85% | |
| 4 | "He came alive to me, delivered suddenly from the womb of his purposeless splendour" | Understanding as birth, Gatsby's parties as womb | Transformation/Identity | 95% | |
| 4 | "where he dispensed starlight to casual moths" | Gatsby as source of light, guests as moths drawn to flame | Light/Darkness | 95% | |
| 4 | "this clean, hard, limited person, who dealt in universal scepticism" | Jordan as dealer/merchant of doubt | Money as Substance | 85% | |
| 4 | "There are only the pursued, the pursuing, the busy, and the tired" | All humanity reduced to four types based on motion/energy | Time | 90% | |
| 4 | "the façade of Fifty-Ninth Street, a block of delicate pale light, beamed down into the park" | Street as facade (false front) emanating light | Light/Darkness | 85% | |
| 4 | "I had no girl whose disembodied face floated along the dark cornices and blinding signs" | Beloved's face as ghost haunting urban architecture | Vision/Surveillance | 90% | |
| 4 | "Her wan, scornful mouth smiled" | Mouth as independent agent capable of contradictory emotions | Performance/Reality | 85% |